Posts Tagged ‘consumption

17
Feb
09

prokorenko’s politics.

we met prokorenko, a subway attendant, while perusing a subway map for the route to the world trade center. after directing our way, the gentleman inquired into where we are from. learning that noah, brianne, and i are from hawai`i, prokorenko pulled out and sifted through two stacks of cards. each card listed a few words/sayings in other languages that he’d be learning from passengers over the years; there must have been at least thirty or forty cards.

reminiscent of ranciere’s observation that french laborers in the nineteenth century made of themselves political subjects by using the time they had not to write, prokorenko takes his work-time to accumulate multilingual fragments. his use of work-time as hobby-time deterritorializes the liminal space of subway stations as transitory passages into social places. subway space thus becomes a polyvocal archive braking new york’s hyperaccelerated pacings by effecting a countertemporality of slowness imbedded in conversation. consequently, he became other than the work-subject required of his work position; likewise, we became other than the (always mobile) consumer-subject required of our tourist position.

in short, prokorenko disrupts new york city ’s demand of speedy movement and its corollary regulative productions of time, space, and subjects in this consumer capitalist society of control. a powerful political act.

15
Feb
09

on experiencing moma.

the museum of modern art (moma) may feel like a space of consumption. vast numbers of tourists breeze through the exhibits without extended looks on displays. purchases of memorabilia and miscellaneous trinkets may be made at several different locations throughout the museum. a cafe is located on the second floor. even the queues for bag checks wind through and out of a corridor. this disneyland experience subtracts the spectacular and sensational thrill of amusement park rides; a father answers to his impatient seven year-old son, ‘we’ve only been here for half an hour!’

nonetheless, moma also invites critical reflection across. divided amongst the museum’s six floors, iconic masterpieces and contemporary works offer a variety of styles, temporalities, and genres. accordingly, an/aestheticizing experiences inhere not in the artworks themselves; rather, they function as so many resonances between art and its viewer, thereby shattering any definitive delineation between those terms. here are several works that worked for me due to their carceral thematics.

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Whilst navigating curatorial space may direct our attention inward to exhibited pieces, it simultaneously distracts us from one of the greatest exhibits of all: the city itself. this tendency to confine the proper place of aesthetics to the museum may disable a scrutiny of cityscapes themselves and how they re/structure perceptions, sensations, and experience itself.

But not everyone misses out.

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